Exploring Self-Discovery: A Closer Look at Tyler, the Creator’s ‘Chromakopia’

Tyler, the Creator, known for his multi-faceted talent, showcases his artistry in his seventh studio album, “Chromakopia.” Throughout 14 tracks, the artist, whose real name is Tyler Okonma, delves deep into the complexities of aging and the pressures of fame, incorporating his insights alongside carefully incorporated voice messages.

As a dynamic figure in music, fashion, and television, Tyler has carved out a significant niche for himself. He draws inspiration from his idol, Pharrell Williams, with his eclectic style as the founder of high-end brands Golf Wang and Golf le Fleur. Tyler’s television presence was cemented with his work on the Adult Swim sketch comedy series “Loiter Squad.” With his debut mixtape “Bastard” in 2009, he established himself as a countercultural icon and a rule-breaker, continuously pushing the boundaries of music, making it clear that “Chromakopia” is no exception.

The album kicks off with “St. Chroma,” introducing listeners to a new masked persona featured on the cover. This track is set against the backdrop of commanding military rhythms, enhanced by the vocals of R&B artist Daniel Caesar. The opening is marked by a comforting female voice affirming, “You are the light. It’s not on you. It’s in you.”

“Chromakopia” serves as a reflection of where Tyler stands as he enters his 30s. His explorations touch on various facets of life, as he seeks a deeper understanding of himself. He raps with confidence, stating, “I ain’t never had a doubt inside me. And if I ever told you that I did, I’m (expletive) lyin’.”

However, the album doesn’t shy away from darker themes. In the track “Like Him,” Tyler confronts his feelings about resembling an estranged father. He laments, “Give me love and affection / Attention, protection (Go),” expressing regret for missed opportunities with a father figure: “How could I ever miss a chance (Go) / That I never had?”

At a recent listening event in Inglewood, California, Tyler articulated his vision for the album, stating, “‘Oh, I’m not the guy I was at 20. I’ve got a gray hair on my chest. Life is life-ing. I just wanted to write about stuff I think about when I’m dolo,’ which is a slang term for being alone.”

His contemplations are vast: “Hey Jane” describes a pregnancy scare amidst ethereal production, while “Take Your Mask Off” narrates the stories of various characters grappling with self-acceptance, highlighting Tyler’s own journey as well. “I hope you find yourself,” he expresses. “I hope you take your mask off.”

The lead single, “Noid,” critiques celebrity culture, capturing the paranoia and intricate parasocial relationships created by fame, wrapped in a provocative and immersive sound. The chorus samples a classic from Zambian rock band Ngozi Family’s 1977 track, “Nizakupanga Ngozi.”

Yet, not every moment is steeped in reflection—Tyler maintains his bold, playful style in tracks like “Thought I Was Dead” and “Rah Tah Tah,” characterized by bass that resonates deeply. His vibrant personality shines through in upbeat songs such as “Sticky,” featuring Lil Wayne, GloRilla, and Sexyy Red, as well as “Balloon,” featuring Doechii.

As noted on the album artwork, Tyler Okonma undertook the entire process of writing, producing, and arranging “Chromakopia.” The album acts as an early mid-life memoir that resonates with many in their 30s, reflecting on his achievements, fears, and aspirations for the future.