As Halloween draws near, it’s a great time to revisit cinematic classics. Whether you’re preparing for a chilling movie marathon or just exploring the genre, here are ten legendary horror films from the past 70 years, along with the original critiques from AP writers that showcase their early impressions.
We’ve unearthed and refined excerpts from these reviews to see if these iconic movies still hold their ground today.
“Halloween” (1978)
At just 19, Jamie Lee Curtis shines in “Halloween,” a thrilling horror film that has become a staple in the genre. Previously known for her role on the TV series “Operation Petticoat,” Curtis embraced her role in this independent production with pride.
The film originated from producer Irwin Yablans’ idea to create a terrifying tale focused on a babysitter. Together, John Carpenter and Debra Hill crafted a story where a maniac escapes from an asylum, intent on murdering his sister’s friends in his hometown.
— Bob Thomas
“Get Out” (2017)
Writer-director Jordan Peele’s “Get Out” serves as a modern examination of race, nearly fifty years after Sidney Poitier challenged racial biases in films like “Guess Who’s Coming to Dinner.” In his directorial debut, Peele poignantly critiques the racism masked by the smiles of seemingly liberal white families.
Peele flips the horror genre on its head by ensuring that the Black protagonist does not fall victim to the common trope of being the first to die, offering a fresh and radical perspective.
— Jake Coyle
“The Blair Witch Project” (1999)
“The Blair Witch Project” captivates audiences with its innovative approach to horror. The film tells the story through footage purportedly discovered after three student filmmakers vanish while documenting a legendary witch in the woods of Maryland.
Though the narrative is fictional, filmmakers Eduardo Sanchez and Dan Myrick create a sense of authenticity that keeps viewers on edge, making it an ambitious endeavor that successfully blurs the line between reality and horror.
— Christy Lemire
“Scream” (1996)
In a clever nod to the genre, “Scream” unfolds in a suburban California high school plagued by a killer mirroring the gruesome murders found in slasher films. Scripted by newcomer David Williamson, it’s a smart and humorous take on horror that maintains a tense atmosphere, shining a light on classic horror tropes while paying homage to its predecessors.
— Ned Kilkelly
“Hereditary” (2018)
Ari Aster’s debut feature, “Hereditary,” is a deeply unsettling exploration of grief and family trauma. When Annie (Toni Collette) sneaks out to a support group after her mother’s death, the film unravels into a nightmare that’s as horrifying as it is compelling.
The film carries an oppressive atmosphere of dread, compelling viewers to experience its terror, even if it may haunt them long after the credits roll. The significant buzz surrounding it is largely justified.
— Jake Coyle
“The Silence of the Lambs” (1991)
Jonathan Demme’s “The Silence of the Lambs” is a relentless journey through suspense, filled with gripping scenes that often push the boundaries of discomfort. Adapted from Thomas Harris’s novel by Ted Tally, the film portrays a chilling pursuit of a serial killer with unflinching intensity.
With standout performances from Jodie Foster and Anthony Hopkins, the film showcases a stunning portrayal of both intelligence and malevolence, leading to an unforgettable climax.
— Bob Thomas
“Paranormal Activity” (2009)
The low-budget ghost film “Paranormal Activity” manages to instill fear within the familiar confines of a suburban home. Much like “The Blair Witch Project,” it employs raw, handheld camerawork to heighten the tension of the eerie events that unfold at night.
Despite some narrative shortcomings towards the end, the film’s haunting, silent night scenes reveal a primal fear, demonstrating the power of suggestion to leave a lasting impact.
— Glenn Whipp
“Saw” (2004)
“Saw” has earned a reputation for being consistently intense, albeit not in a favorable light. This serial killer narrative is riddled with poor execution—whether it be the contrived plot, lackluster writing, or the disjointed editing that leads to an underwhelming finale.
Despite its attempt to unsettle audiences, “Saw” ultimately falls short, leaving viewers with more questions than scares.
— David Germain
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“The Conjuring” (2013)
In “The Conjuring,” Vera Farmiga and Patrick Wilson portray Ed and Lorraine Warren, paranormal investigators who navigate a haunting tale reminiscent of classic horror films. The movie, echoing the styles of “Amityville” and “The Exorcist,” aspires to deliver chilling thrills with a nostalgic flair.
While well-crafted, “The Conjuring” may not reach the haunting heights of its inspirations, reflecting a strong entry into the haunted house genre that still captivates viewers.
— Jake Coyle
Researcher Rhonda Shafner contributed from New York.
